SHOT LIST
SCENE NO 1
|
SHOT
NO
|
SHOT DESCRIPTION
|
|
a
|
Audition 1 – walk in - gangster
|
|
a – 2
|
Audition 1 – walk in – gangster – don’t use
|
|
a
- 3
|
Audition 1 – walk in – gangster
|
|
a
- 4
|
Audition 1 – walk in - gangster
|
|
b
|
Audition 2 -
contender
|
|
b - 2
|
Audition 2 -
contender
|
|
b
- 3
|
Audition 2 -
contender – laugh don’t use
|
|
c
|
Audition 3 -
tearing me apart - laugh
|
|
c - 2
|
Audition 3 -
tearing me apart
|
|
c
- 3
|
Audition 3 -
tearing me apart - use
|
|
d
|
Audition 4 – talking to me
|
|
d
- 2
|
Audition 4 – talking to me -
laugh
|
|
d
– 3
|
Audition 4 – talking to me -
use
|
|
e
|
Audition 5 – silence of the
lambs – forgot line
|
|
e
- 2
|
Audition 5 – silence of the
lambs – screw up
|
|
e
– 3
|
Audition 5 – silence of the
lambs -
|
|
e
4
|
Audition 5 – silence of the
lambs
|
|
E
- 5
|
Audition 5 – silence of the
lambs - use
|
SCENE NO 3
|
SHOT DESCRIPTION
|
|
|
a
|
Walk in -
towards camera - don’t use
|
|
z- 2
|
Walk in -
towards camera – don’t use
|
|
a - 3
|
Walk in -
towards camera – don’t use
|
|
b
|
Hand
shake rejection
|
|
b - 2
|
Hand shake
rejection - new angle – focus on producer
|
|
c
|
Focus on
actor - script reading
|
|
c - 2
|
Focus on
actor - script reading
|
|
d
|
Focus on
producer – script reading – forgot line
|
|
D -2
|
Focus on
producer – script reading – forgot line
|
|
d - 3
|
Focus on
producer – script reading
|
|
d – 4
|
Focus on
producer – script reading – use
|
|
e
|
no one like you – push in – whispering
|
|
e – 2
|
no one like you – push in – whispering
|
|
f
|
Walk in – jib – movement – entire scene
|
|
f – 2
|
Walk in – jib – movement – entire scene
|
|
f – 3
|
Walk in – jib – movement – entire scene - phone ring
|
|
f– 4
|
Walk in – jib – movement – entire scene
|
|
f- 5
|
Walk in – jib – movement – entire scene
|
|
g
|
Over the shoulder actor – entire scene
|
|
h
|
Leaving audition -
|
|
h 2
|
Leaving audition -
use
|
|
i
|
Leaving audition -
exit door
|
|
i - 2
|
Leaving audition -
exit door – grab bag -use
|
|
j
|
Walk in to audition – screw up
|
|
j - 2
|
Walk in to audition
|
|
j - 3
|
Walk in to audition – use
|
|
j - 4
|
Walk in to audition – possible use
|
|
k
|
Script reading - hallway
|
|
Kl
|
Script reading – hallway
over the shoulder
|
|
m
|
Producer walk in hallway
|
|
n
|
Two shot- talking in hallway
– forgot line
|
|
n 2
|
Two shot- talking in hallway
|
|
n 3
|
Two shot- talking in hallway
|
|
o
|
Hallway meeting – actor
single – cut
|
|
o - 2
|
Hallway meeting – actor
single
|
|
o - 3
|
Hallway meeting – actor
single
|
|
p
|
Hallway meeting –producer
single - cut
|
|
p – 2
|
Hallway meeting –producer
single
|
|
p- 3
|
Hallway meeting –producer
single
|
|
q
|
Lead into audition room
|
|
q - 2
|
Lead into audition room -
use
|
SCENE NO 2
|
SHOT
NO
|
SHOT DESCRIPTION
|
|
a
|
Montage walk in – no zoom In – don’t use
|
|
a
- 2
|
Montage walk in – don’t use
|
|
a-
3
|
Montage walk in – don’t use
|
|
b
|
Match cut
|
|
c
|
Walk from bathroom – getting ready
|
|
C
- 2
|
Walk from bathroom – getting ready
|
|
d
|
Script over the shoulder
|
|
e
|
Walk into bathroom
|
|
E
- 2
|
Walk into bathroom
|
|
f
|
Leaving for auditon
|
|
g
|
Over head – sink
|
|
G
- 2
|
Over head – sink
|
|
h
|
Sink - profile
|
|
I
|
Coming in - reshoot
|
|
I
- 2
|
Coming in - reshoot
|
|
j
|
Match cut
|
|
K
|
Feet – walk in
|
|
K
- 2
|
Feet – walk in
|
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